It's kept in a true backing style feel, that means both Calle and myself leave space for chordal players and soloists to join in. Technically only to note that Calle started with a rhythmic ambiguity (or possibility for a switch-over) which I then executed as an Afro 12/8 feel initially which gradually emerges as a JazzRock 4/4.
Jazz-Rock backing tracks with Drums & Sequencer:
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