Scorpion's Hunt

Session template
GOTO
Fabricio L
Brasil
Percussion:
Fabricio L 820 jams
Remix step I
GOTO
GlezBass
Spain
Bass:
GlezBass 5,900 jams
<
Remix step II
Wade
New Zealand
Saxophone:
Wade 905 jams
>
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+ 18 Shared:
Jan 31, 2020 Listened:
841 Downloads:
1 Remixes:
0
An intriguing track from Fabricio and Mario. Sopranino added and hopefully pushing the intrigue a bit further. Watch out for those scorpions!
OliVBee
Cool interesting track :) the distorted signal because of a too hot signal is distracting only slightly which means you guys managed to captivate my attention ! +2
Wade
Wade Glad it intrigues. It's certainly something different! I just love playing with bass and all that space in between. +1
Fabricio L
Very very beautiful ! +2
Wade
Wade So good to be joining in on a track of yours. Thanks to you! +1
GlezBass
Wowww fantastic job Wade!! You know how I like your sopranino play, amazing! +2
Wade
Wade So kind of you. Once again following you and being inspired by your fine playing. +1
ivax
:) Wonderful Job,<3<3 Fantatic Wade +1
Wade
Wade Thanks so much Xavi. You've so kind to give this a listen. +1
Pewi
Wonderful sopranino art. I admire your good intonation. I've also had a sopranino for three weeks and I'm still working on intonation. +1
Wade
Wade What sort of sopranino did you get? Yea, you've got to hear every note to play it in tune and adjust your embouchure. Thanks for checking it out. +1
Pewi
Pewi I have a "Thomann TSI-350 Sopranino Saxophone" I would very much like to have the " Yanagisawa SN-981", but my budget is relatively small.
But the sound of this cheap instrument is really good and I do not regret the purchase👍😎 +1
Wade
Wade Many of the Chinese sopraninos are surprisingly good. First year of the jam in Germany that's all I had with me. The Yani 981 is a good horn ( I had one for many years), but you need to increase the embouchure pressure unnaturally to hit anything above A2. The Selmer and Rampone are best, but both way expensive. The one you have is probably an excellent starter sopranino. +1
Pewi
Pewi Yes, the Rampone would certainly be great, but actually I am a flautist. With the flute I can really see the difference in sound between a high quality flute and the sound of a cheap student instrument. I don't think I could do that well with a saxophone :) +1
Wade
Wade You're very right. The Chinese sopranino I had was really quite good. The Selmer I'm playing is better, but a listener may not be able to tell the difference. Unfortunately the difference in price is quite significant! +1
Shi
I am liking the contrasts here...the sopranino adds a real tension and sense of expectation Wade cutting through the laid back almost hypnotic groove of fabricio and Glez :) +1
Wade
Wade Perfect observation. It seemed like an invitation to get "nervy" and create a lot of edge, hopefully not too much. +1
jaeusm
Nice one! Sounds like something I'd hear in a movie :) +1
Wade
Wade Ha! Probably a horror movie? Cheers jaeusm, and thanks for the listen! +1
magirtiko
Ah, Wade, you are super intonated and your sound is very powerful :o <W

Very intriguing track <3

My best claps to you all, mates :) +1
Wade
Wade Thanks magirtiko! Yea the sopranino cuts like a saber...nothing subtle about it. +1
magirtiko
magirtiko :D +1
CI Section
definitely a push further, this unmistakeable sopranino flash gives the right contrast to the fantastic growling flageolet bass from Mario! +1
Wade
Wade What a kind thing to say. so glad if this works for you. It's a bit odd and angular...unlike me...old and dumpy! Ha! +1
CI Section
CI Section :D +1
PJE
Great how this weaves around the straight percussion again there is the captivating fusion of eastern mysticism, classical, jazz and other exotic spices that you enchant us with +1
Wade
Wade Titi likes to call me Kaa (the giant snake from "Jungle Book"). Yea, you've nailed all my influences, and I guess they show.

Thanks Peter. +1