This Now
At night I heard Eric's wonderful bass and I felt like a jam. My instrument is a "guitar piano" (midiguitar). thank you for this opportunity.
ericblom
It always sounds very natural to me when we play together Rene. Your like my brother. what a marvelous story you tell with this wonderful play. I like the midi sound a lot<3
+3
Itocpogo
I LOVE your music and thesis a change of pace and I would love to hear you play more like this because you have a Wonderful approach to improv and at slow tempos you show how very good you are!!!! I cherish the art of theta development and you do it own all your music but here with a total Jazz background, I hear so much Wonderful interplay for you to develop melodic themes that fits so well wit Eric's Jazz playing. that This is Excellent, Rene!!
+3
abuitremorem
Thank you Dan for this great compliment. It means a lot to me. It motivates me and is also a gift, your outside view. The topic of theta development is new to me. I just play out of my gut, spontaneously without thinking. It usually works with Eric. I know that I use jazz-like tones, but not only. This is in contrast to what I'm doing now. I get to know my DAW better and have in my head what I have learned about jazz. This is above all a system and a fascinating system. My guitar teacher in Poland opened my eyes for that.
But a look at the real books scares me from the right jazz. There seems to be interpretation before (my idea of) improvisation. I now know that this is an illusion. I actually believed for a long time that blues and flamenco were always arrested at the moment, so they were improvised. An idiotic mistake - maybe I just didn't want to see the truth.:D +1
But a look at the real books scares me from the right jazz. There seems to be interpretation before (my idea of) improvisation. I now know that this is an illusion. I actually believed for a long time that blues and flamenco were always arrested at the moment, so they were improvised. An idiotic mistake - maybe I just didn't want to see the truth.:D +1
Itocpogo
Rene, I realize the "right" way to play Jazz is for only the GREATS because the artist must practice at least 5-6 hours a day for 6-8 years when they are young because Jazz requires that dedication to be really good. But most people like me and you can not practice that much even in our youth because we have "responsibilities". I did practice 2-3 hours a day from 14-17 yrs old and then "life" took over so I still practiced byt never achieved the skill to play what I call correct jazz. So... do not be frightened that you are not doing right. That is what is Great about improv music... especially if you do not have to rely on it to make a living.. just do your best and play with musicians who appreciate your efforts!!!
+2
abuitremorem
Thank you very much Dan. That's it. The main problem with categorizing is to classify a track of mine as jazz, which it is not. When I play on a template, I leave the rating, it's easier :)
+1
PJE
It’s a very magical alchemy when musicians who inspire each other meet, I believe it is the highest form of communication and can become pure telepathy.....I am sorry to hear you are missing your guitars abu.....I hope this situation will change for you soonest possible, meantime it’s great you make music however possible for our enjoyment<3:W:D
+2
abuitremorem
Thank you for your nice comment PJE. I'm going to change the situation here and rape a nylon stringed western guitar. No matter what happens to the neck.
It is true that communication with Eric is particularly easy for me, for inexplicable reasons. However, I don't know what I would have played if you had uploaded your drums directly to Eric's track. The question is also whether you would only have played the same for the bass as for the track with Alex. It would have resulted in a different communication for three. Interesting!!!:D +2
It is true that communication with Eric is particularly easy for me, for inexplicable reasons. However, I don't know what I would have played if you had uploaded your drums directly to Eric's track. The question is also whether you would only have played the same for the bass as for the track with Alex. It would have resulted in a different communication for three. Interesting!!!:D +2
PJE
Interesting and we should try abu, I am working on some free of time drums maybe you might like to try:D
+2
frankyguitar
:D SUPER René :D
Wie Eric schon sagte, Deine Musikalität leidet kein bisschen unter den Bedingungen. Ich kann mich ihm nur anschließen, gret story telling. Läuft nun schon zum dritten mal durch und ich liebe es und immer noch gibt es neue Nuancen zu entdecken! :) +1
Wie Eric schon sagte, Deine Musikalität leidet kein bisschen unter den Bedingungen. Ich kann mich ihm nur anschließen, gret story telling. Läuft nun schon zum dritten mal durch und ich liebe es und immer noch gibt es neue Nuancen zu entdecken! :) +1
frankyguitar
Ja, viel zu tun. Will möglichst viel abarbeiten. Sonst geht's uns gut. Ich hoffe Euch auch ! :)
+1
Pewi
ein guitar piano:o hä? Es macht den Eindruck, als ob ihr zwei eine Unterhaltung führ! Klingt sehr cool!!
+1
abuitremorem
Danke ja - ich spiele dank midiguitar beides gleichzeitig und kann so den Ton entsprechend gestalten. Es ist so etwas wie eine Unterhaltung, aber zeitlich verschoben :)
+1
Jazz backing tracks with Guitar, Upright Bass and Keys:
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A New Lie
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Do Like Sonia
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Upojenie myśli /No drums
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My Warm Spring Night
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Smooth Groove - Some Theme
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Smooth Groove -Some Guitar
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Zoning-in
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Kerguelen
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A new lie
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Find syllables
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This Now
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A Fine Tune+g
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Whorl
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Dawn
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Soon as Dawn comes feat D´Angelico
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Nadrek and Mic
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Jazz rock on Acoustic Jazz track
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Bros Easter session
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Whooo Bop
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